1. nightcricket:

    CRITIQUE OF SEPARATION

    CRITIQUE DE LA SÉPARATION

    directed by GUY DEBORD
    France 1967

    (via fuckyeahanarchopunk)

    Tagged #film #politics
     
  2. Tagged #film
     
  3. doctorinsermini:

    Desperate (1947, Anthony Mann)- primer papel de gángster para Raymond Burr

    Tagged #film
     
  4. Tagged #film
     
  5. Tagged #film
     
  6. raveneuse:

    Kurt Kren, 9/64 O Tannenbaum / 9/64 O Christmas Tree, 1964. 16mm, colour, silent, 2:56 min. Action by Otto Mühl.

    (via experimentalcinema)

    Tagged #film
     
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    Tagged #music #film
     
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    Tagged #music #film
     
  9. Film still from The New Babylon dir. Leonid Trauberg and Grigori Kozintsev (1929)

    Tagged #film
     

  10. This does not mean that ethnographic research does not get it wrong or that inferences are not made rather it is understood that any statement about the nature of the audience needs to move beyond mere speculation or self-reflection. Qualitative methodology does not get at an essential Truth; rather it grounds its inferences concerning the audience within the confines of actual audience practices. Furthermore qualitative methodologies attempt to keep in sight the highly reflexive stance that the researcher constructs around the knowledge of the audience through a complex interaction with the very “object” of knowledge. The ethnographic researcher in the field recognizes that this minefield, so to speak, is the only terrain in which to meet the audience and come to some understanding of its nature. In this sense ethnographic research of audiences are always ethnographies, multiple and contingent.

     
  11. However these privileged workers of the completed commodity society do not resemble slaves in the sense that they must provide for their upkeep themselves.  Rather their status can be compared to serfdom, because they are exclusively attached to an enterprise and to its smooth running, without receiving anything in return, and above all because they are strictly compelled to reside in one single space: the same circuit of ever identical dwelling-units, offices, motorways, holidays and airports.

    But they also resemble modern proletarians by the precariousness of their resources, which is in conflict with the programmed routine of their expenditure: and by the fact that they have to hire themselves out on an open market without possessing anything of the instruments of their labor - because of the fact that they need money.  They have to buy commodities: and things have been so arranged that they cannot remain in contact with anything which is not a commodity.

    In Girum Imus Nocte Et Consumimur Igni (We Spin Around the Night Consumed by Fire) dir. Guy Debord (1978)

    Tagged #film #politics
     
  12. moviesinframes:

    The Parallax View, 1974 (dir. Alan J. Pakula)

    By
    gentlemanloser
    Tagged #film #politics